The genesis and the use of the word "fuck" is described by Michael Hicks as follows: During this period, Morrison brought vocal ideas into the instrumental solo section. He left a note for his father with the lyrics to this as an attempt to explain his feelings. You might wake up and notice you're someone you're not And I said yes, I do, and right then and there we got into a long discussion and Jim just kept saying over and over kill the father, fuck the mother, and essentially boils down to this, kill all those things in yourself which are instilled in you and are not of yourself, they are alien concepts which are not yours, they must die.

We wanted it to feel very much like that kind of beginning, that you were about to get taken on a journey, and I think that’s why that song is so big, and it tells a story right away.

Now, come one, come all to this tragic affair "The End" is an epic song by the American rock band the Doors. [Bridge] [15] Two takes were recorded, with reportedly the second being used for the album. So what Jim says at the end of the Oedipus section, which is essentially the same thing that the classic says, kill the alien concepts, get back reality, the end of alien concepts, the beginning of personal concepts. So throw on the black dress, mix in with the lot When I grow up, I want to be nothing at all. Sent home by (producer Paul A.)

[25][29] A music video based on the single's artwork was created by Zev Deans,[22][28] which utilized watercolor self-portraits created by Manson. [31], Manson had previously recorded a version of The Doors' song "Five to One",[32] released as a b-side on their 2000 single "Disposable Teens". Desperately in need of some stranger's hand, Ride the snake, he's old, and his skin is cold, The killer awoke before dawn, he put his boots on, He went into the room where his sister lived, and then he, And he came to a door and he looked inside, Desesperadamente precisando de alguma mão estranha, Cavalgue a serpente, ele é velho e sua pele é fria, O assassino acordou antes do amanhecer, e pôs suas botas, Ele entrou no quarto onde sua irmã vivia, e então ele, Chegou até a uma porta e ele olhou dentro, Vamos, meu bem, aceite uma chance com a gente, Fazendo um rock triste, em um ônibus azul. Alerted, Rothchild came back and persuaded the naked, foam-flecked Morrison to leave once more, advising the studio owner to charge the damage to Elektra.[13].

Get me the hell out of here! [Instrumental Bridge] [27], The track was released for digital download and on streaming services on November 22, 2019,[22][23] while the song was scheduled to be issued on a picture disc 7" vinyl[26] via Loma Vista Recordings on March 6, 2020. Probably just to a girl, but I could see how it could be goodbye to a kind of childhood. In “MCR Welcomes You To The Black Parade,” a commentary featured on the deluxe edition of the album, frontman Gerard Way says: ‘The End’ was basically the song where, I think, we, when we butted that up against ‘Dead!’ we realized we were making a really theatrical record that was also gonna be very big. That "rhythm instrument" was buried in the studio mix of "The End." So gather 'round, piggies, and kiss this goodbye [33] Manson later performed "Five to One" – as well as "Love Me Two Times" and "People Are Strange" – alongside Ray Manzarek and Robby Krieger at the 2012 Sunset Strip Music Festival. He was re-enacting a bit of Greek drama.