Crime, Drama, Mystery. “Under the Silver Lake” is a movie that’s certain to find a second life on streaming, and Amazon Prime has the offer ready to go. The movie personifies the male gaze, but it’s also conspicuously about that, deconstructing privilege more than lingering in its confines. Indiewire Sign Up: Stay on top of the latest breaking film and TV news! Its colors exquisite, its music delightfully old-school, and its story wonderfully bizarre and original, I've a feeling I already have one of my entries on my 2019 list set. Stay on top of the latest breaking film and TV news! TAGLINE: "What are they hiding? The internet’s most exciting and unpredictable indie and arthouse streamer is back with another bang-up month, as MUBI’s July lineup runs the gamut from underseen contemporary masterpieces like Julia Loktev’s “The Loneliest Planet” and Marco Bellochio’s eye-popping “Vincere” to definitive genre classics like Errol Morris’ “The Thin Blue Line.” The Loktev film is part of a MUBI series focusing on the idea of auteurism, and that program also features a pair of rare films from the late Jean-Claude Brisseau. Netflix may get most of the attention, but it’s hardly a one-stop shop for cinephiles who are looking to stream essential classic and contemporary films. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. Riley Keough replaced her. The world’s best (and only) premium streaming service exclusively for genre fare is going for quality over quantity this July, and doing so in a way that will make horror fans shudder with delight. After all, this is the story of a philandering white guy whose obsession with his sultry neighbor Sarah (Riley Keough) sends him on a bizarre subterranean adventure because he probably has nothing better to do. Those who end up liking it will REALLY like it. There’s something indivisibly intimate and elemental about the bond that forms between a mousy child of divorce (Joséphine Japy) and the mysterious new girl at school (an unforgettable Lou de Laâge), and something just as true about the terrible ways in which it tears apart. Everything, absolutely everything, is run by the cartels. All work and no play makes Jack a dull boy. Sam’s epiphanies about his privileged circumstances matter more than any of the breadcrumbs he chases through a loopy plot that takes its time to wander across two hours and 20 minutes. It’s a hard question to answer, but few movies have ever asked it with such relish. Sergio Martino’s fetid giallo classic “All the Colors of the Dark” would be enough to qualify this as a banner month, but Shudder is complementing that classic addition with John Carpenter’s “Prince of Darkness,” and the brilliantly titled “Stake Land 2: The Stakelander.” But the real news this month is that Shudder is — for the time being — the exclusive streaming home for a certain Stanley Kubrick film that genre fans can never see too many times. It’s frustratingly ironic that Scorsese was accused of siding with “The Wolf of Wall Street” subject Jordan Belfort, as the filmmaker has always stood out for his steadfast refusal to pass judgement upon his characters, many (if not most) of whom have been difficult men under the thrall of their own moral turpitude. | But while New Yorkers are out of luck, and the rest of the country might be streaming on borrowed time, Kanopy is continuing to offer an excellent service to those who have access to it. View production, box office, & company info. The framing device of the first movie (and its absolutely bonkers conclusion) probably gives “V/H/S” the edge over its sequel, but “V/H/S/2” contains Timo Tjahjanto and Gareth Huw Evans’ demented “Safe Haven,” which is a perfectly crafted little nugget of a nightmare — it’s amazing that something so short can go that much further than you think.