From deliverance to the fall And we're breaking all of the rules Never choosing to be fools We are the people, one and all From deliverance to the fall From the bitter to the brave From the cradle to the grave We are the young ones crying out Full of anger, full of doubt And we're breaking all of the rules Never choosing to be fools Billy & Bobby Alessi's "Rise Up" is in the pocket, one of the album's highlights, though it tends to sound like John Cougar's 1979 chart climber "I Need a Lover," chock full of the sound from that record and a little out of place here. Breaking All the Rules is a good example of his ability to use performance skills to overcome thin material. From the cradle to the grave. We are the young ones crying out "Breaking All The Rules" by Peter Frampton. From the battle and the heat | From the album "Breaking All The Rules" (1981) A strong vocal from Frampton as well as a strong performance, but a failure to do what his last three albums did: generate a Top 20 hit! We are the people one and all From deliverance to the fall From the battle and the heat To our triumph and defeat. Breaking All the Rules is a good, solid effort by Peter Frampton which would have been better had he decided to break a few rules. Well I know that you would love to go to heaven But you know that you're just too afraid to die … From the bitter to the brave And we're breaking all of the rules Would you like to contribute? Making a good record was not what was required of Peter Frampton at this point in time, he had to come back with something spectacular. Full of anger full of doubt We currently don't have any styles associated with this song. None of the three singers/dancers -- Carla, Diana and Danielle, who all met while they were dancing from the New York Knicks -- have strong voices, but the Berman Brothers compensate with big dance-club beats and sharp hooks. The production on this Easybeats cover is noticeably thinner than the rest of the disc. "Lost a Part of You" is a worthy album track sequel to "I'm in You," Frampton's biggest hit, but is more laid-back in performance. To our triumph and defeat We are tired of being used We are constantly excused In the battle and the heat In the shadow of retreat "Breaking All the Rules," in particular, has a Sabbath-inspired fuzz guitar line from the Rolling Stones' "Bitch." We are the young ones crying out We are constantly excused While never acclaimed as a great vocalist, Ozzy Osbourne’s is one of rock’s most consistently entertaining performers. From the cradle to the grave I'm breaking the rules, Breaking all the rules, Can't you see they're nothing without you, Empty heads full of fool. In the battle and the heat "Breaking All the Rules," in particular, has a Sabbath-inspired fuzz guitar line from the Rolling Stones' "Bitch." From the battle and the heat We are the young ones crying out Full of anger full of doubt And we're breaking all of the rules Never choosing to be fools. To our triumph and defeat, We are the young ones crying out There are some clever riffs that help make "You Kill Me" and the title tune interesting. We are tired of being used Where he does break the rules is that Procol Harum lyricist Keith Reid writes the words on this title number, despite some of Frampton's best lyrics appearing on his own compositions. As the latest in a long line of dance-pop artists from the Berman Brothers (Real McCoy and Amber were previous successes for the duo), the all-female trio She Moves has a certain tradition to uphold -- namely, to turn in a debut album of well-constructed but ultimately fluffy dance-pop, punctuated with a couple of crossover ballads. Breaking All the Rules is hampered by its creator's position in the rock hierarchy, but shouldn't be overlooked because of that. In the end, Breaking All the Rules simply adheres to all the dance-pop rules, but it does so with style and smarts, which results in a fun, frothy record that sounds terrific while it's playing, even if none of the tracks make a lasting impression. Written by Ricardo Thomas, Busta Rhymes (as Trevor Smith), Spliff Starr (as William Lewis), Roger McNair, Rah Digga (as Rashia Fisher) and Baby Sham (as Leroy Jones) Performed by Busta Rhymes featuring Mariah Carey and The Flipmode Squad. Never choosing to be fools Note: When you embed the widget in your site, it will match your site's styles (CSS). It was their only hit in the United States, officially making them a one-hit wonder. Now you see I'm breakin' all the rules, Breakin' all the rules. Restricted somewhat by an almost formulaic melody, it benefits from Osbourne’s personal ability to sell the song. "Breaking All The Rules" is a song by all-girl R&B trio She Moves. From deliverance to the fall Where he does break the rules is that Procol Harum lyricist Keith Reid writes the words on this title number, despite some of Frampton 's best lyrics appearing on his own compositions. Courtesy of J Records. From the bitter to the brave Full of anger, full of doubt Steve Lukather and Jeff Porcaro provide guitar and drums as part of a more than competent band on an equally competent recording. Last.fm Music | Copyright © 2020 CBS Interactive Inc. / All rights reserved. She Moves - Breaking All The Rules (LP Version) 1997 - YouTube Would you like to contribute? Mannish Boy (onscreen as "Manish Boy") by Melvin London (as Melvyn London), Bo Diddley (as Ellas McDaniel) and Muddy Waters (as McKinley Morganfield) Performed by Muddy Waters Courtesy of Columbia Records . We currently don't have any moods associated with this song. We are the people, one and all We are the people, one and all Breaking All the Rules is just that, a collection of well-constructed, ultimately forgettable dance-po. We are the young ones crying out This is just a preview! One of the more popular songs on No Rest for the Wicked, it’s almost curious that Ozzy Osbourne had been in show business for around twenty-years before he wrote a song called ”Breaking All the Rules”. Make sure your selection Bostonian David Finnerty's "I Don't Wanna Let You Go" shows up here, but it doesn't have the snap of his 1975 hit, "Let's Live Together," and sounds as labored as the Joneses, that author's 1980s band on Atlantic. One of the more popular songs on No Rest for the Wicked, it’s almost curious that Ozzy Osbourne had been in show business for around twenty-years before he wrote a song called ”Breaking All the Rules”. Never choosing to be fools, Peter Frampton Lyrics provided by SongLyrics.com.